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More than simply putting flowers in a container, ikebana is a disciplined art form in which nature and humanity are brought together. Contrary to the idea of a particoloured or multicoloured arrangement of blossoms, ikebana often emphasises other areas of the plant, such as its stems and leaves, and puts emphasis on shape, line, and form.
Banmi Shōfū-ryū (晩美生風流) is a school of Ikebana, an ancient Japanese art form that involves arranging flowers for spiritual purposes. [1] Ikebana accompanied Buddhism's arrival in Japan in the 6th century and evolved from a Buddhist ritual.
While distinctly a hallmark of the Ohara school, moribana has become one of the standard forms learned and created by Ikebana practitioners regardless of school or style affiliation. [1] [2] [3] Moribana is often associated with nageire, and although the two styles share similarities, their historic development is different, nageire being older.
These all developed from ikebana, which had its origin in early Buddhist flower offerings (kuge). [4] Chabana, however, refers specifically to the flower display in the room or space for chadō , [ 5 ] and though it fundamentally is a form of ikebana, it comprises a genre unto its own.
Bunjinbana arrangement. Bunjinbana (文人花, "literati flowers") is a style of ikebana that is inspired by traditional Chinese landscapes. It developed from the Bunjinga (文人画 "literati painting") movement among different Japanese artists of the late Edo period, who however all shared an admiration for traditional Chinese culture and paintings.
The term came to be a popular synonym for ikebana in the 15th century, when rikka became a distinctive element of interior decoration in the reception rooms at the residences of the military leaders, nobility, and priests of the time. [2]
Hana-ishō (花意匠) is a basic free style. Moribana (盛り花) was developed by Ohara Unshin and quickly became popular among other schools. Hanakanade (花奏) has two lines crossing each other. Hanamai (花舞) is a three-dimensional arrangement. Heika (瓶花) is another term for the traditional nageirebana (抛入花).
This form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color harmony. [2] [3] Therefore, nageirebana is less formal than rikka, which was developing around the same time. [4] Nageirebana was also practiced and around the time that chabana and seika were developing.