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Often considered to be one of the finest furniture pieces of the 19th century and an icon of Victorian furniture. There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic , Tudor , Elizabethan , English Rococo , Neoclassical and ...
In Hints on Household Taste in Furniture, Upholstery and Other Details, Eastlake promoted Victorian style furniture which had opposed the curved features of the French Baroque Revival Styles. Instead, Eastlake style had "angular, notched and carved" features and although he did not produce any furniture himself, cabinet makers produced them. [5]
The use of lighter, more flexible woods allowed the furniture of the Renaissance and Baroque periods to gradually give way to more curvilinear designs. [6] One of these designs was the bombe vitrine, which generally bulged out in a section between curved sabot legs and a straighter upper body which featured the panes of glass. [ 7 ]
Pottier & Stymus made furniture in the Neo-Greco, Renaissance Revival, Egyptian Revival, and Modern Gothic Styles. [2] Three drawing published in Harper's New Monthly Magazine in November 1876 provide evidence that in addition to exclusive furniture for office buildings and rich clients, Pottier & Stymus also produced simpler and cheaper ...
Antique arm chair drawn by Charles Eastlake, whose 1868 book on furniture became influential in Britain and the United States. Charles Locke Eastlake (11 March 1836 – 20 November 1906) was a British architect and furniture designer.
Kimbel & Cabus display at the 1876 Centennial Exposition. Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel (c. 1821 –1895) [1] and French-born cabinetmaker Joseph Cabus (1824–1894).