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Copedent is a term used to describe the tuning and pedal arrangement on a pedal steel guitar and is unique to that instrument. Typically expressed in the form of a table or chart, the word is a portmanteau of " c h o rd– ped al–arrangem ent and is pronounced "co-PEE-dent". [ 1 ]
A guitar pedalboard is a flat board or panel that serves as a container, patch bay, and power supply for effects pedals for the electric guitar. Some pedalboards contain their own transformer and power cables to power multiple pedals. Pedalboards help the player manage multiple pedals.
A guitar pedalboard allows a performer to create a ready-to-use chain of multiple pedals to achieve certain types of sounds. Signal chain order: tuner, compressor, octave generator, wah-wah pedal, overdrive, distortion, fuzz, EQ and tremolo.
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
Choice of a particular tuning implies a suitable stringing and setup, so for example if a pedal steel guitar is described as having E9 tuning this also implies an E9 string set and copedent. In many cases several related tunings share a common name, either for different instruments or the same one.
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C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck. On a six-string neck, for example, on lap steel guitar, C6 tuning is most usually C-E-G-A-C-E, bass to treble and going away from the ...