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1940. Trumpeter Dizzy Gillespie was one of the leading figures of bebop. Standards composed by him include "A Night in Tunisia" (1942), "Woody N' You" (1942), and "Groovin' High" (1944). "After Hours" [4] is a song composed by Avery Parrish with lyrics by Robert Bruce and Buddy Feyne.
In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its ...
Bing Crosby was the best selling pop artist of the 1940s. Ragtime, a genre that first became popular in the 1890s, was popular through about the 1940s. After its best-known exponent, Scott Joplin, died in 1917, the genre faded. As the 1920s unfolded, jazz rapidly took over as the dominant form of popular music in the United States.
Number ones. Bing Crosby had the highest number of hits at the top of the Billboard number-one singles chart during the 1940s (9 songs). In addition, Crosby remained the longest at the top of the Billboard number-one singles chart during the 1940s (55 weeks). Jimmy Dorsey remained at the top of the Billboard number-one singles chart for 32 weeks.
Top hits of the year. On February 8, 1940, “ How High the Moon ” was introduced during the Broadway revue Two for the Show. The musical would run at the Booth Theatre for 124 performances. Music and Lyrics by Alfred Drake and Frances Comstock. [2]
B. Big Foot (Charlie Parker composition) Billie's Bounce. Blue 'n' Boogie. Born to Be Blue (Mel Tormé song) Bouncing with Bud. Broadway (1940 song)
Frenesi. by Southern Music Pub. Co., Inc., New York [1] " Frenesí " is a musical piece originally composed by Alberto Domínguez Borrás for the marimba, and adapted as a jazz standard by Leonard Whitcup and others.
Western swing. Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.