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Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records.The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions.
By the time of their next full-length album, 1999's Secret Name, Low had moved to the independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. Allmusic called the six-song disc "some of the best material either unit has ...
Reason (Anacrusis album) Reckoning Songs from The Olympia; O Rei do Cu; R.e.m.IX; The Rescue (Explosions in the Sky album) Revisited (Tom Lehrer album) Rogue Taxidermy (album) The Rose Tint; RTJ4; Run the Jewels (album) Run the Jewels 2; Run the Jewels 3; Russian Lullabies
Drums and Guns is the eighth studio album by indie rock band Low. It is the second album they recorded with producer Dave Fridmann (The Great Destroyer). The album was partially inspired by the war in Iraq. [2] It was released on March 20, 2007, on Sub Pop records. Musician Steve Adey covered "Murderer" on his 2017 LP Do Me a Kindness.
It should only contain pages that are Low (band) albums or lists of Low (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Low (band) albums in general should be placed in relevant topic categories .
Secret Name is the fourth studio album by American indie rock band Low. [8] [9] It was released in 1999, their first album on the Kranky record label. [10] The album was recorded by Steve Albini at Electrical Audio in Chicago. Bass guitarist Zak Sally plays an Optigan on some tracks. The album title comes from the "Weight of Water" lyric: "Make ...
In his review for The A.V. Club, critic Jason Heller praised the band's longevity and said that "it's as if Low has taken its tried-and-true songwriting formula—a slow buildup into a smoldering climax—and stretched it to the length of an entire album." Heller called the album "superb."
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