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Kesusastraan Indonesia Modern dalam Kritik dan Esei [Modern Indonesian Literature in Criticisms and Essays] (in Indonesian). Vol. 1– 4. Jakarta: Gunung Agung. Teeuw, Andries (1967). Modern Indonesian Literature. Translation series: Koninklijk Instituut voor Taal-, Land- en Volkenkunde, no. 10. Vol. 1– 2. Leiden: Martinus Nijhoff. ISSN 0074 ...
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Boenga Roos dari Tjikembang was written in vernacular Malay, as common for works by contemporary Chinese writers in the Dutch East Indies. [10] Indonesian literary critic Jakob Sumardjo writes that Kwee's use of the language, one common within contemporary society, was more "modern" than most of the more formal Balai Pustaka publications (perhaps excepting Abdoel Moeis' Salah Asuhan [Never the ...
A novel is a long, fictional narrative. The novel in the modern era usually makes use of a literary prose style. The development of the prose novel at this time was encouraged by innovations in printing, and the introduction of cheap paper in the 15th century. Several characteristics of a novel might include:
Genre fiction, also known as formula fiction [1] or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Note: This is for articles on novel series—which are a set or series of novels or books that should be read in order as is often the case in speculative fiction and all its subgenres. Can be thought of as one over-riding storyline, and is often without plot re-introduction, reiteration or reminder, save for cursory mention of past events.
His novel Beauty Is a Wound was included in the list of 100 notable books by The New York Times. [4] The use of magic realism in the book has led to comparisons to Gabriel García Márquez . Kurniawan has insisted that Beauty Is a Wound is neither a historical novel nor a book about Indonesian history.
[1] Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the "autobiographical pact". [2] Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author's life.