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  2. Wash (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Wash_(visual_arts)

    Solvents dilute the binder, thus diluting the binding strength of the paint. Washes can be brittle and fragile paint films because of this. However, when gum arabic watercolor washes are applied to a highly absorbent surface, such as paper, the effects are long lasting. The wash technique can be achieved by doing the following:

  3. 6 Small Paint Projects That Can Completely Transform Your ...

    www.aol.com/lifestyle/6-small-paint-projects...

    We tapped Emily Kantz, color marketing manager at Sherwin-Williams, and Erika Woelfel, BEHR VP of color and creative services, to share their top tips for transformative paint jobs that can be ...

  4. Watercolor painting - Wikipedia

    en.wikipedia.org/wiki/Watercolor_painting

    An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...

  5. Gouache - Wikipedia

    en.wikipedia.org/wiki/Gouache

    Gouache paint is similar to watercolor, but it is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the late nineteenth century cheaper varieties use yellow dextrin. When the paint is sold as a paste, e.g. in tubes, the dextrin has usually been mixed with an equal volume of water. [1]

  6. Design Pro Reveals the Biggest Paint Mistake for Small Rooms

    www.aol.com/lifestyle/design-pro-reveals-biggest...

    Painting a small room in a light color. While your instincts might lead you to go light in a compact room, interior designer Emily Henderson believes the opposite can make a bigger impact. "This ...

  7. Tempera - Wikipedia

    en.wikipedia.org/wiki/Tempera

    Tempera painting was the primary panel painting medium for nearly every painter in the European Medieval and Early renaissance period up to 1500. For example, most surviving panel paintings attributed to Michelangelo are executed in egg tempera, an exception being his Doni Tondo which uses both tempera and oil paint.