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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
See also: Japanese art, Japanese culture, Zen, Japanese values. Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
Japanese female beauty practices and ideals are a cultural set of standards in relevance to human physical appearance and aesthetics. Distinctive features of Japanese aesthetics have the following qualities: simplicity, elegance, suggestion, and symbolism. [ 1 ]
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
Shibui (渋い) (adjective), shibumi (渋み) (subjective noun), or shibusa (渋さ) (objective noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. [1] Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2]
It is characterised by a minimalism influenced by Zen Buddhist philosophy, and Japanese aesthetics. An empty circle also appears in the ten oxherding pictures which is a set of illustrations that depict Zen training. Drawing ensō is a disciplined-creative practice of Japanese ink painting, sumi-e.
In later years, miyabi and its aesthetic were replaced by the ideals of Higashiyama culture, such as Wabi-sabi, Yuugen, Iki and so on. The characters of the classic eleventh-century Japanese novel " The Tale of Genji " by Lady Murasaki provide examples of miyabi.