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Disney had some trouble with the state censors over this cartoon, due to the suggestive hula-dancing lion. [1]In his book Mickey's Movies: The Theatrical Films of Mickey Mouse, Gijs Grob writes: "Jungle Rhythm is one of the most boring early Mickey Mouse shorts: there's no plot, no dialogue, no song, and the dance routines resemble the worst in contemporary Silly Symphonies.
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youtube-dl -F <url> The video can be downloaded by selecting the format code from the list or typing the format manually: youtube-dl -f <format/code> <url> The best quality video can be downloaded with the -f best option. Also, the quality of the audio and video streams can be specified separately and merged with the + operator. [34]
The Jungle Book Groove Party (also known as The Jungle Book Rhythm n'Groove in North America) is a 2000 music rhythm video game developed by Ubi Soft Montreal and Ubi Soft Shanghai, and published by Ubi Soft for Microsoft Windows, PlayStation, and PlayStation 2.
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
Syd Barrett was the guiding light of the original Pink Floyd — the band’s singer, primary songwriter and guitarist from their first day until their psychedelia-defining 1967 debut album ...
Godfried Toussaint (1944–2019) was a Belgian–Canadian computer scientist who worked as a professor of computer science for McGill University and New York University.His main professional expertise was in computational geometry, [2] but he was also a jazz drummer, [3] held a long-term interest in the mathematics of music and musical rhythm, and since 2005 held an affiliation as a researcher ...
The book outlines a method for analyzing the rhythms of urban spaces and the effects of those rhythms on the inhabitants of those spaces. It builds on his past work, with which he argued space is a production of social practices. Two concluding essays are co-authored by Catherine Régulier and had been previously published in the 1980's.