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The oríkì varies in length depending on whether it is the name given to a child to describe the future portents of the life or a recital of the accomplishments of a person's clan. It is invoked to praise a child for bringing pride to the parents or to attempt to evoke virtuous character traits of bravery, fortitude and perseverance that are ...
Contemporary Africa has a range of important poets across many different genres and cultures. Poetry in Africa details more on the history and context of contemporary poetry on the continent. This is a dynamic list and may never be able to satisfy particular standards for completeness.
African poetry encompasses a wide variety of traditions arising from Africa's 55 countries and from evolving trends within different literary genres.The field is complex, primarily because of Africa's original linguistic and cultural diversity and partly because of the effects of slavery and colonisation, the believe in religion and social life which resulted in English, Portuguese and French ...
Senegalese Wolof griot, 1890 A Hausa Griot performs at Diffa, Niger, playing a komsa ().. A griot (/ ˈ ɡ r iː oʊ /; French:; Manding: jali or jeli (in N'Ko: ߖߋ߬ߟߌ, [1] djeli or djéli in French spelling); also spelt Djali; Serer: kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician.
An imbongi (plural iimbongi), or a Xhosa praise poet, is a member of the Xhosa community who performs ceremonial activities at important events. An imbongi is traditionally a male who recites emotive poetry, sings, explains family relationships, re-tells historical events and comments on current affairs.
African literature is literature from Africa, either oral ("orature") or written in African and Afro-Asiatic languages. Examples of pre-colonial African literature can be traced back to at least the fourth century AD. The best-known is the Kebra Negast, or "Book of Kings" from the 14th century AD. [1]
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The poem was collected by Leo Frobenius in 1909, who published a prose translation of the poem in his collection Speilmanns-Geschichten der Sahel (vol. 6, 1921). [8] Frobenius regarded the poem as a fragment from a much longer epic tradition, a view maintained also by Alta Jablow, a scholar who presented a paper on the poem in 1978, which was ...