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"Come to Me" is a song by American rapper and producer P. Diddy from his fourth studio album, Press Play (2006), featuring guest vocals from Pussycat Dolls lead singer Nicole Scherzinger. The song was written by Combs himself, Mike Winans, Scherzinger, Jacoby White , Shay Winans, Shannon "Slam" Lawrence, Roger Greene Jr., Richard Frierson and ...
In August 1994, the Notorious B.I.G. released the song "Juicy"; produced by Combs and one of the labels first releases, it became one of the most successful and influential songs in hip hop music. Combs served as the primary producer of B.I.G.'s debut studio album and the label's first LP release: Ready to Die (1994), along with its follow-up ...
The following list is a discography of production and co-production by Sean Combs, sometimes credited as Puffy, P. Diddy or simply Diddy. It includes a list of songs produced, co-produced and remixed by year, artist, album and title. Alongside this, Combs was a lead member of Bad Boy Records' in-house production team, The Hitmen.
If you don't want to listen to Sean “Diddy” Combs music after his arrest and federal sex crimes case, it's easy to mute his songs.. As a lead artist, his handful of hits – “Can’t Nobody ...
The Love Album: Off the Grid is the fifth studio album by American rapper Sean "Diddy" Combs, released on September 15, 2023.. Combs signed with the record label Motown in late 2022 to release its bonus tracks, "Gotta Move On" and "Sex In the Porsche", and in 2023, the album's only single, "Another One of Me".
Rock singer Sting has said he isn’t concerned that the allegations surrounding disgraced music mogul Sean “Diddy” Combs will impact his classic hit, “Every Breath You Take”.. The Bad Boy ...
Sean "Diddy" Combs and 50 Cent's feud goes back to the latter's 2006 diss "The Bomb," in which he accused Combs of being involved in Biggie's murder
The song marks Diddy's first record to not be released by his label, Bad Boy Records, for which he was the flagship artist and founder.After a lukewarm commercial and critical response from his previous decade of material, the song finds Diddy in a less-braggadocious state of vulnerability as he laments on unrequited love. [5]