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"Careless Whisper" is a song recorded by English singer-songwriter George Michael. Released as the second single from Wham! 's second studio album Make It Big (1984), it was written by Michael and Andrew Ridgeley , with Michael producing the song.
In 1983 he played the saxophone on George Michael's hit "Careless Whisper". [2] Michael had already hired and fired several other sax players for the song, who the BBC characterized as struggling to play all the notes with "the right amount of fluidity and still breathe," [3] Michael eventually heard what he was looking for from Gregory. [4]
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
A scale is a related set of pitches (not necessarily exact) that can be used as a compositional unit. It differs from a tuning or temperament since the latter is a system for tuning an instrument. The chromatic scale can be played in Pythagorean tuning , meantone temperament , or 12-tone equal temperament , or indeed many different types of ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
Quartet for flute, alto saxophone, guitar and solo percussion (1982)—Kalevi Aho; Linker Augentanz (Left-Eye Dance) for 7 (or 11) saxophones, synthesizer and percussion (1983/90)—Karlheinz Stockhausen; Entführung (Abduction) for soprano saxophone and electronic and concrete music (1986/2004)—Karlheinz Stockhausen
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.