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The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. [5] [6] With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
In southern provinces of Iran, Shia women wear red rectangular masks, while those of Sunni women are black or indigo with gold, similar to the mask worn in the Arabian peninsula. [7] In Qeshm, the masks were designed to fool invaders, so they would mistake women for male soldiers. [4] The wearing of battouleh is declining among the younger ...
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
The deigan (泥眼) mask is a mask that represents the first stage of a woman's transformation into a demoness as her emotions begin to rise. The gold-painted eyes and tooth tips on the masks indicate that the women have already begun the transformation from human to onryō (怨霊, vengeful spirit) or ikiryō (生霊, disembodied spirit).
Durga, Parvati, Saraswati and incarnations of the Goddess are categorised under the nari or women masks, while bird masks are for Jatayu, peacock, swan, etc. [3] [7] A typical bir mask showing the face of a demon. A nari mask showing the face of Durga. A mask showing the Hindu deity Ganesha. The distinguishing feature is the trunk.
The Yup'ik masks were carved by men or women, but mainly were carved by the men. The shamans ( angalkuq ) were the ones that told the carvers how to make the masks. Yup'ik masks could be small three-inch finger masks or maskettes (or dance fans , in the Lower Yukon Yup'ik dialects tegumiaq sg tegumiak dual tegumiat pl ), but also ten-kilo masks ...