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  2. Étude Op. 10, No. 4 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Étude_Op._10,_No._4_(Chopin)

    Étude Op. 10, No. 4 in Cminor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [ 1 ] Germany, [ 2 ] and England [ 3 ] as the fourth piece of his Études Op. 10 .

  3. Cerrone - Wikipedia

    en.wikipedia.org/wiki/Cerrone

    Cerrone issued his twentieth album release, Love Ritual, on 7 July 2008. The lead single is the title track which preceded the full-length album. "Love Ritual" also has a supporting music video. It was quickly followed by the next two singles, "It Had to Be You" and "Tattoo Woman".

  4. Fantaisie-Impromptu - Wikipedia

    en.wikipedia.org/wiki/Fantaisie-Impromptu

    Melodic fragment (introduced in measures 7-8), Chopin's Fantaisie-Impromptu Cadenza (measure 188), Beethoven's Piano Sonata No. 14, third movement. Ernst Oster observes that the Fantaisie-Impromptu draws many of its harmonic and tonal elements from Beethoven's Moonlight Sonata, which is also in Cminor, and from the third movement in particular.

  5. Raymond Donnez - Wikipedia

    en.wikipedia.org/wiki/Raymond_Donnez

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Special pages; Help; Learn to edit; Community portal; Recent changes; Upload file

  6. Piano Concerto No. 2 (Liszt) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._2_(liszt)

    For Liszt to so radically alter the music's notation while remaining true to the essential idea behind it shows a tremendous amount of ingenuity on his part. The scoring, material and layout of the Second Piano Concerto also suggest the influence of Weber's Konzertstück in F minor for piano and orchestra. Liszt was highly familiar with this work.

  7. Miscellaneous solo piano compositions (Rachmaninoff)

    en.wikipedia.org/wiki/Miscellaneous_solo_piano...

    The second piece, in F major, followed on 22–25 November, also contains a slower portion coupled with a quick section. No. 3, in C minor, took more than a month to compose, dated from 3 December 1886 to 12 January 1887. With a chordal texture spread over the entire keyboard, it is reminiscent of the music of Robert Schumann. [5]

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