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Patronage (clientela) was the distinctive relationship in ancient Roman society between the patronus ('patron') and their cliens ('client'). Apart from the patron-client relationship between individuals, there were also client kingdoms and tribes, whose rulers were in a subordinate relationship to the Roman state.
Patronus may refer to: The patronus (Latin) or patron in ancient Roman society; see Patronage in ancient Rome; The apparition produced by the Patronus Charm in Harry ...
The people for whom the patron spoke for were the cliens and they, in return, would respect the patronus and offer little favors like political campaigning and household chores. One of the types of patronage was the slave-owner over his freedmen, where the slave-owner retained some power over them and inherited their property if they died ...
From the ancient world onward, patronage of the arts was important in art history.It is known in greatest detail in reference to medieval and Renaissance Europe, though patronage can also be traced in feudal Japan, the traditional Southeast Asian kingdoms, and elsewhere—art patronage tended to arise wherever a royal or imperial system and an aristocracy dominated a society and controlled a ...
For example, ex-slave Susannah Ostrehan became a successful businesswoman in Barbados and purchased many of her acquaintances. [ 27 ] For Jamaica, manumission went largely unregulated until the 1770s, when manumitters had to post a bond in order to ensure those that they freed did not become wards of the parish.
The earliest known example of a cardinal protector occurs in correspondence between Pope Urban V and King Louis of Hungary (1342–1382), in which Cardinal Guillaume de Jugié has entered into a mutual agreement with King Louis to protect (promote) each other's interests.
Tabulae patronatus from Amiternum Transcription of a tabula patronatus from Bocchorus (AD 6). In ancient Rome, a tabula patronatus was a tablet, usually bronze, displaying an official recognition that an individual was a municipal patron.
In Plato's Symposium, written c. 385 BC, the speaker Phaedrus holds up Achilles and Patroclus as an example of divinely approved lovers. Phaedrus argues that Aeschylus erred in claiming Achilles was the erastes because Achilles was more beautiful and youthful than Patroclus (characteristics of the eromenos ) as well as more noble and skilled in ...