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È, è (e-grave) is a letter of the Latin alphabet. [1] In English, è is formed with an addition of a grave accent onto the letter E and is sometimes used in the past tense or past participle forms of verbs in poetic texts to indicate that the final syllable should be pronounced separately.
The grave accent ( ̀) (/ ɡ r eɪ v / GRAYV [1] [2] or / ɡ r ɑː v / GRAHV [1] [2]) is a diacritical mark used to varying degrees in French, Dutch, Portuguese, Italian, Catalan and many other western European languages as well as for a few unusual uses in English.
É is a variant of E carrying an acute accent; it represents a stressed /e/ sound in Kurdish. It is mainly used to mark stress, especially when it is the final letter of a word. In Kurdish dictionaries, it may be used to distinguish between words with different meanings or pronunciations, as with péş ("face") and pes ("dust"), where stress ...
The acute and grave accents are occasionally used in poetry and lyrics: the acute to indicate stress overtly where it might be ambiguous (rébel vs. rebél) or nonstandard for metrical reasons (caléndar); the grave to indicate that an ordinarily silent or elided syllable is pronounced (warnèd, parlìament).
Open E with grave: Nateni: Ɛ́ ɛ́: Open E with acute: Noni, Nzime, Sisaala: Ɛ̂ ɛ̂: Open E with circumflex: Nzime: Ɛ̃ ɛ̃: Open E with tilde: Ewe: Ɛ̃̀ ɛ̃̀: Open E with tilde and grave: Ɛ̃́ ɛ̃́: Open E with tilde and acute: Ɛ̃̂ ɛ̃̂: Open E with tilde and circumflex: Ɛ̃̌ ɛ̃̌: Open E with tilde and caron: Ɛ̃̍ ...
The acute (accent aigu) is only used in "é", modifying the "e" to make the sound /e/, as in étoile ("star"). The circumflex (accent circonflexe) generally denotes that an S once followed the vowel in Old French or Latin, as in fête ("party"), the Old French being feste and the Latin being festum. Whether the circumflex modifies the vowel's ...
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Originally, certain proclitic words lost their accent before another word and received the grave, and later this was generalized to all words in the orthography. Others—drawing on, for instance, evidence from ancient Greek music—consider that the grave was "linguistically real" and expressed a word-final modification of the acute pitch. [2 ...