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Gossip magazine (1960) with a story about Weld and John Ireland. Weld's mother was scandalized by her teen daughter's love affairs with older men, such as actor John Ireland, but Weld resisted, saying, " 'If you don't leave me alone, I'll quit being an actress—which means there ain't gonna be no more money for you, Mama'. Finally, when I was ...
Wild in the Country is a 1961 American musical-drama film directed by Philip Dunne and starring Elvis Presley, Hope Lange, Tuesday Weld, Millie Perkins, Rafer Johnson and John Ireland. Based on the 1958 novel The Lost Country by J. R. Salamanca, the screenplay concerns a troubled young man from a dysfunctional family who pursues a literary career.
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian-American actor and film director. [1] Born in Vancouver, British Columbia and raised in New York City, he came to prominence with film audiences for his supporting roles in several high-profile Western films, including My Darling Clementine (1946), Red River (1948), Vengeance Valley (1951), and Gunfight at the O.K ...
John McGreevey: October 5, 1956 ... Stars Stephen McNally and John Ireland. ... Stars Stephen McNally and Tuesday Weld. With Mark Goddard. 127: 11 "The Man from ...
He said he was stuck during the writing, so he asked his roommate John Kander, also an aspiring writer, to read it. Kander suggested the woman (eventually played by Weld) should be developed as a major figure. This suggestion helped Goldman finish the book. [2] Goldman said the publisher put pressure on him to change the ending:
"The Legend of Lylah Clare" is a 1963 American television play that originally aired as an episode of the anthology series The DuPont Show of the Week on May 19, 1963, with Tuesday Weld in the title role and Alfred Drake co starring.
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The film was written and directed by Richard Brooks, and stars Diane Keaton, Tuesday Weld, William Atherton, Richard Kiley, and Richard Gere. The film was a commercial success, earning $22.5 million, [a] and received generally favorable reviews, with much of the praise directed towards Keaton's performance.