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In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their ideas on artistic interior design to a wide middle-class audience. [17] By 1900, the situation was described by The Illustrated Carpenter and Builder: [18]
Luke Hughes’ early output consisted of furniture for the residential market. [2] The same period also saw Hughes’ short-lived engagement with designing for the retail market. This came in the form of the ill-fated Ovolo line of bedroom furniture, originally manufactured by a Birmingham reproduction furniture company, Juckes, and sold ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
The painting depicts Van Gogh's bedroom at 2, Place Lamartine in Arles, Bouches-du-Rhône, France, known as the Yellow House. The door to the right opened on to the upper floor and the staircase; the door to the left was that of the guest room he held prepared for Gauguin ; the window in the front wall looked on to Place Lamartine and its ...
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