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An Evergreen Protective Association volunteer recording an oral history at Greater Rosemont History Day. Oral history is the collection and study of historical information from people, families, important events, or everyday life using audiotapes, videotapes, or transcriptions of planned interviews. These interviews are conducted with people ...
Types of information held by oral repositories includes lineages, oral law, mythology, oral literature and oral poetry (of which oral history is often entwined), folk songs and aural tradition, and traditional knowledge. In many indigenous societies, such as Native American and San, these roles are fulfilled in a general sense by elders.
[4] [5] Oral tradition is a medium of communication for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. It is the most widespread medium of human communication. [6]
Another example of oral communication is oral history—the recording, preservation and interpretation of historical information, based on the personal experiences and opinions of the speaker. Oral history preservation is the field that deals with the care and upkeep of oral history materials collected by word of mouth, whatever format they may ...
Pages in category "Oral history" The following 101 pages are in this category, out of 101 total. This list may not reflect recent changes. ...
Storytelling falls under the umbrella of broader oral traditions and can take either the form of oral history or oral tradition. [9] The difference between the two is that oral history tells the stories that occurred in the teller's own life while oral traditions are passed down through generations and reflect histories beyond the living memory of the tribal members. [9]
Other methods of collecting historical information have also accompanied the change in technologies; for example, since at least the 20th century, attempts have been made to preserve oral history by recording it. Until the 2000s this was done using analogue recording methods such as cassettes and reel-to-reel tapes.
The spectacle of Djemaa el Fna is repeated daily and each day it is different. Everything changes – voices, sounds, gestures, the public which sees, listens, smells, tastes, touches. The oral tradition is framed by one much vaster – that we can call intangible. The Square, as a physical space, shelters a rich oral and intangible tradition.