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In sample recording, digital clicks occur when the signal levels of two adjacent audio sections do not match. The abrupt change in gain can be perceived as a click. [5] In electronic music, clicks are used as a musical element, particularly in glitch and noise music, for example in the Clicks & Cuts Series (2000–2010). [6] [7]
Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
Speech Transmission Index (STI) is a measure of speech transmission quality. The absolute measurement of speech intelligibility is a complex science. The STI measures some physical characteristics of a transmission channel (a room, electro-acoustic equipment, telephone line, etc.), and expresses the ability of the channel to carry across the characteristics of a speech signal.
Ambient noise level is measured with a sound level meter. [4] It is usually measured in dB relative to a reference pressure of 0.00002 Pa, i.e., 20 μPa (micropascals) in SI units. [5] This is because 20 μPa is the faintest sound the human ear can detect. [5] A pascal is a newton per square meter. The centimeter-gram-second system of units ...
Impulse noise is a category of noise that includes unwanted, almost instantaneous (thus impulse-like) sharp sounds (like clicks and pops)—typically caused by electromagnetic interference, scratches on disks, gunfire, explosions, pickleball play, and synchronization issues in digital audio.
Cosmic noise, also known as galactic radio noise, is a physical phenomenon derived from outside of the Earth's atmosphere. It is not actually sound, and it can be detected through a radio receiver , which is an electronic device that receives radio waves and converts the information given by them to an audible form.
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The microphone should ideally have a clipping level of 120 to 140 dB SPL if high-level distortion is to be measured. A typical top-end speaker, driven by a typical 100watt power amplifier , cannot produce peak levels much above 105 dB SPL at 1 m (which translates roughly to 105 dB at the listening position from a pair of speakers in a typical ...