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The region of Gujarat has a long tradition of folk-theatre, Bhavai, which originated in the 14th-century.Thereafter, in early 16th century, a new element was introduced by Portuguese missionaries, who performed Yesu Mashiha Ka Tamasha, based on the life of Jesus Christ, using the Tamasha folk tradition of Maharashtra, which they imbibed during their work in Goa or Maharashtra. [1]
The Indian National Theatre (INT) is a theatre organisation and troupe founded in 1943 and based in Mumbai, India. Although performing predominantly Gujarati theatre, the troupe has also produced a number of plays in other Indian languages. In addition to theatre productions, the troupe also carries theatre education, training and research ...
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Gujarati theatre actor-director Jaishankar Sundari was appointed to lead the school. [ 1 ] [ 2 ] [ 3 ] Natya Vidya Mandir was established in 1949 and was the first such theatre school of India. The school formed an amateur theatre troupe Natmandal in 1951–52.
Gujarati Natak Mandali (1878–89) and its successor Mumbai Gujarati Natak Mandali (1889–1948) was a theatre company in Bombay, British India. It made immense contribution to the Gujarati theatre , with productions of more than hundred plays, as well as the training and introducing of many major actors and directors.
Yugpurush: Mahatma Na Mahatma is a 2016 Gujarati play based on the relationship between Jain philosopher Shrimad Rajchandra and Indian independence leader Mahatma Gandhi.The play depicts the spiritual journey of Gandhi.
Dave is known as a drama teacher, theater actor and playwright. He is a scholar of Bhavai form (a folk theater form popular mostly in western India). He wrote plays, books on drama-teaching, and translated several books into Gujarati.
Master Phoolmani is a 1999 Gujarati-language musical comedy play that was written by Chandrakant Shah and directed by Manoj Shah.The play was adapted from Satish Alekar's work Begum Barve (1979), which Chandrakant Shah rewrote from a Gujarati viewpoint to be more relatable to Gujarati audience.