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Saint Luke Drawing the Virgin, by Rogier van der Weyden, c. 1435–40, Museum of Fine Arts in Boston. Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus.
The van der Weyden panel is among the first known depictions of St Luke painting the Virgin in Northern Renaissance art, [54] along with a similar work, a lost triptych panel by Robert Campin. [25] Van der Weyden presents a humanised Virgin and Child, as suggested by the realistic contemporary surroundings, [ 53 ] the lack of halos, and the ...
This painting shows a baker in the role of Luke the Evangelist painting the Holy Virgin and Child, with a self-portrait in the background as the artist's muse in the form of a laurel-wreathed poet. It is an example of a fairly common 16th- and 17th-century genre in European painting referred to as a Lukas-Madonna in Dutch.
St Luke Painting the Madonna (1520–25) Wood, 109.5 × 82 cm Kunsthistorisches Museum, Vienna. His name was in fact "Jan Gossart", and he was so known in his lifetime; the Dutch version "Gossaert" crept into later sources, despite Gossart's first language being French. [4] Little is known of his early life.
Jan Gossaert, St. Luke Painting the Madonna (c. 1520–1525), Kunsthistorisches Museum, Vienna. Saint Luke Drawing the Virgin, c. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. This was the classic subject for paintings given to the guilds
Adam and Eve and St. Luke painting the Likeness of the Virgin and Child in presence of a poet crowned with ivy leaves, and a parrot in a cage – an altar-piece in the gallery of Haarlem, and the Ecce Homo in the Museum of Fine Arts in Ghent, are characteristic works of the period preceding van Heemskerck's visit to Italy. [4]
St Luke (Hals) J. The Four Evangelists (Jordaens) M. Madonna and Child with Saints Luke and Catherine of Alexandria; S. Saint Luke Painting the Virgin (Heemskerck)
Saint Luke Painting the Virgin is an International Gothic limewood relief sculpture, probably carved by Jakob Beinhart in c. 1510 and now in the National Museum, Warsaw. [1] It formed the central panel of an altarpiece for the chapel of the painters' guild in St Mary Magdalene Church, Wrocław, and is the only surviving fragment of that ...