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The eight lines from "Mutability" which are quoted in Frankenstein occur in Chapter 10 when Victor Frankenstein climbs Glacier Montanvert in the Swiss Alps and encounters the Creature. Frankenstein recites: "We rest. – A dream has power to poison sleep; We rise. – One wandering thought pollutes the day; We feel, conceive or reason, laugh or ...
In Mary Shelley's Frankenstein, chapter 5, Victor Frankenstein quotes the lines: "Like one, that on a lonesome road / Doth walk in fear and dread / And, having once turned round, walks on / And turns no more his head / Because he knows a frightful fiend / Doth close behind him tread" (Penguin Popular Classic 1968 page 57, cited from Rime, 1817 ...
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...
[10] George Landow reviewed Patchwork Girl extensively in several essays and summarizes these analyses in his 2006 textbook, Hypertext 3.0. and explains how this work uses a digital collage of theses, techniques, and words and images, including other writers such as Mary Shelley, L. Frank. Baum and Jacques Derrida. [11]
The song's lyrics prominently feature gothic-horror imagery, which can be found to a lesser extent on other tracks on Rough and Rowdy Ways (including "I Contain Multitudes", which references the stories "The Tell-Tale Heart" and "The Cask of Amontillado" by Edgar Allan Poe, [3] and "Murder Most Foul", which alludes to the movies The Wolf Man, The Invisible Man and A Nightmare on Elm Street). [4]
However, the 1931 Frankenstein film by Universal Pictures and its sequel Bride of Frankenstein have had an immense influence on the appearance and wider cultural understanding of the character. This rendition of the creation is the most pervasive and appears in pop culture and advertising very frequently, giving it an iconic image and status.
In his book Frankenstein: The First 200 Years, Christopher Frayling refers to a passage in Mary's diaries later in her life in which she expresses a desire to return to the region surrounding Castle Frankenstein to take in more of its folklore—implying that she is already familiar with at least some of the local legends. [18]
The story switches between Mary Shelley writing Frankenstein in Geneva, Switzerland in 1816 and the story of Ry Shelley, a transgender doctor and Victor Stein, a transhumanist, who become involved in the world of artificial intelligence and cryonics in present-day Brexit-era Britain. [3] [4] It was longlisted for the 2019 Booker Prize. [5] [6] [7]