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  2. Parallel harmony - Wikipedia

    en.wikipedia.org/wiki/Parallel_harmony

    In the Schuman example (Three Score Set for Piano), the inversions of the chords suggest a bichordal effect. [ 3 ] In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second , is consistent.

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    Printable version; In other projects Wikidata item; Appearance. move to sidebar hide The following is a list of ... I–V–vi–IV chord progression in C: 4:

  4. Galant Schemata - Wikipedia

    en.wikipedia.org/wiki/Galant_Schemata

    The Romanesca originated from the 16th and 17th centuries as a common musical backdrop in a minor key for singing poetry as well as the basis for variations over a repeating harmonic progression. [4] The later Romanesca is a similar progression and features three variants: the leaping variant, the stepwise variant, and the galant variant, a ...

  5. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass).

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...

  7. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.