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Drawn thread work is one of the earliest forms of open work embroidery, and has been worked throughout Europe. Originally it was often used for ecclesiastical items and to ornament shrouds. [ 1 ] It is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric.
Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, [1] are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace. Cutwork is related to drawn thread work.
Dresden work on white linen; Engageantes Richelieu cutwork embroidery, a form of whitework. Different styles of whitework emanated from different areas and at a variety of times in history. There are examples of pulled thread work from the 1200s. Prior to the 1500s, embroidered clothing and other textiles were limited to the church and to royalty.
Drawn thread work or dragværk, another whitework technique, dates from the second half of the 18th century. Employing the warp and weft approach, white thread is drawn across the width of the white linen before figures such as animals are sewn in. The embroidery follows the length and intersections of the fabric. [8]
Example of modern Hardanger embroidery work Hardanger embroidery sample, from a 1907 needlework magazine. Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
Hemstitch or hem-stitch is a decorative drawn thread work or openwork hand-sewing technique for embellishing the hem of clothing or household linens. Unlike an ordinary hem, hemstitching can employ embroidery thread in a contrasting color so as to be noticeable.
17th century Spanish Sol lace was a form of drawn thread work with circular patterns built up on a skeleton of woven threads. It is believed that this skill was transported to South America with European colonization. The name Sol lace was retained in Bolivia, Brazil, and Peru. [4]
Traditionally, Assisi embroidery was rarely executed in cross-stitch but was most often in long-armed cross-stitch. Examples employing other stitches, such as Italian cross-stitch and Algerian plait stitch, are also known. The colours of thread used were red, blue, green or gold for the background and black or brown for the outlines.