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Rudraveena's soundtrack was released under Ilaiyaraaja's Echo Recording Company through double LP and cassettes. [5] [6] Each side of an LP consisted of six songs in an album, totally twelve in number; three instrumental tracks that were not titled which are performed in Nadaswaram (one being a rendition of the devotional song "Raghupati Raghava Raja Ram") were also included. [5]
Rudraveena (lit. ' Strings of fury '; referring to the instrument of the same name) is a 1988 Indian Telugu-language musical-drama film directed and co-written by K. Balachander.
The Rudra veena (Sanskrit: रुद्र वीणा) (also spelled Rudraveena [1] or Rudra vīnā [2])—also called Bīn in North India [3] —is a large plucked string instrument used in Hindustani Music, especially dhrupad. [2]
Jyoti Hegde (Sanskrit: ज्योती हेग्डे, IPA: [dʑjoːtɪ ɦeːɡɖeː]) is a Rudra veena and sitar artist from the Khandarbani gharana. She has pursued music since age 12 and completed her master's in music from Karnatak University of Dharwad. Vidhushi Jyoti Hegde is the first woman player of Rudra veena in the world. [1]
Dattatreya Parvatikar playing Rudra Veena. Parvatikar, an exponent of nada yoga, tried to spread spirituality through music. He was keenly interested in Indian classical music and played the rudra veena. Alain Daniélou made recordings of his performances between 1950 and 1955.
The lyrics, some of which were written in Sanskrit centuries ago, are presently often sung in brajbhasha, a medieval form of North and East Indian languages that were spoken in Eastern India. The rudra veena, an ancient string instrument, is used in instrumental music in dhrupad. Dhrupad music is primarily devotional in theme and content.
Suvir Misra (Sanskrit: सुवीर मिश्र, IPA: [sʊʋiːɽ mɪɕɽɐ]) is an Indian player of Rudra Veena, Saraswati Veena, and Surbahar. He is unique in being a left handed artist who has mastered all the three veenas of the Indian classical music - the Rudra Veena, the Saraswati Veena and the Surbahar. He is the inventor of Misr ...
Carsten Wicke is today one of the few international rudra veena performers. His Raga presentation unites the meditative depth in the Alap (introduction) – the unparalleled fortitude of the Dagarbani Dhrupad – with the dynamic interpretation of the faster performance stages (Jor, Jhala), a distinguished characteristic of the Khandarbani style.