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A Mu-tron III envelope filter. Auto-wah is a type of wah-wah effects pedal typically used with electric guitar, bass guitar, clavinet, and electric piano etc. The distinctive choppy rhythm guitar sound on many Funk and Disco recordings from the 1970s popularized the effect.
The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
Wah-wah: A wah-wah pedal creates vowel-like sounds by altering the frequency spectrum produced by an instrument—i.e., how loud it is at each separate frequency—in what is known as a spectral glide or sweep. [75] The device is operated by a foot treadle that manipulates a potentiometer or other electronic control.
The sound can be that of any musical instrument, but the effect is most commonly associated with the guitar. The rich harmonics of an electric guitar are shaped by the mouth, producing a sound very similar to voice, effectively allowing the guitar to appear to "speak". The effect produced by talk boxes and vocoders are often conflated by listeners.
Thomas Organ Cry Baby (1970) manufactured by JEN Wah-wah pedal (Dunlop Crybaby 535q) on electric guitar with distortion.. A wah-wah pedal, or simply wah pedal, is a type of effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah".
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
In the 1970s, a variant form of keyboard bass, bass pedals, became popular.Bass pedals are pedal keyboards operated by musicians using their feet. The guitar players or bass players of bands such as Genesis' Mike Rutherford, Yes' Chris Squire, John Paul Jones of Led Zeppelin during acoustic sets, Geddy Lee of Rush, The Police (bassist Sting), or Atomic Rooster (organist Vincent Crane) use the ...