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"Celebrity Skin" is a song by American alternative rock band Hole, released on August 31, 1998, as the first single from their third studio album of the same name. It is their only single to peak at number one on the US Billboard Modern Rock Tracks chart.
Celebrity Skin is the third studio album by American alternative rock band Hole, released on September 8, 1998, in the United States on DGC Records and internationally on Geffen Records. It was the last album released by the band before their dissolution in 2002.
The Beautiful Monsters Tour was a North American concert tour co-headlined by American rock bands Hole and Marilyn Manson.Launched in support of each band's respective third full-length studio LPs, 1998's Celebrity Skin and Mechanical Animals, [N 1] the tour was planned to run from February 28, 1999, until April 27, with 37 shows confirmed.
The band postponed the album's supporting tour and recruited bassist Melissa Auf der Maur. After constant touring in support of Live Through This ' s release, Hole went on a hiatus in 1995. In 1998, the band released its third studio album, Celebrity Skin, which debuted at number 9 on the Billboard 200. [6]
Hole was an American alternative rock band formed in Los Angeles, California, in 1989.It was founded by singer and guitarist Courtney Love and guitarist Eric Erlandson.It had several different bassists and drummers, the most prolific being drummer Patty Schemel, and bassists Kristen Pfaff (d. 1994) and Melissa Auf der Maur.
A series of tour cancellations and changes by big-name artists has sparked questions about whether the post-pandemic live music boom could be cooling. Why some major artists are suddenly canceling ...
Karaoke is a beloved pastime for people all over the world — including some of Us Weekly’s favorite celebrities. Mindy Kaling, for one, nailed the spirit of karaoke in her 2011 book, Is ...
Celebrity Skin was a critical success with strong sales and successful singles, including the title track, "Celebrity Skin", "Malibu", and "Awful". The album received largely positive reviews, with praise from music periodicals such as Rolling Stone, NME, and Blender, [19] [20] as well as a four-star review from the Los Angeles Times. [21]