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  2. Philip Simmons - Wikipedia

    en.wikipedia.org/wiki/Philip_Simmons

    However, Simmons had to create the gate out of scrap iron because the demand for iron during World War II made it impossible to acquire new iron. [1] This was the first iron gate that Simmons ever crafted and delivered to a customer. [1] The Krawcheck family would ultimately acquire more than 30 iron pieces from Simmons during his career. [1 ...

  3. Japan black - Wikipedia

    en.wikipedia.org/wiki/Japan_black

    Japan black (also called black japan and bicycle paint [1]) is a lacquer or varnish suitable for many substrates but known especially for its use on iron and steel. It can also be called japan lacquer and Brunswick black. Its name comes from the association between the finish and Japanese products in the West. [2]

  4. Black oxide - Wikipedia

    en.wikipedia.org/wiki/Black_oxide

    Black oxide or blackening is a conversion coating for ferrous materials, stainless steel, copper and copper based alloys, zinc, powdered metals, and silver solder. [1] It is used to add mild corrosion resistance, for appearance, and to minimize light reflection. [ 2 ]

  5. Porta Nigra - Wikipedia

    en.wikipedia.org/wiki/Porta_Nigra

    The Porta Nigra (Latin for black gate), referred to by locals as Porta, is a large Roman city gate in Trier, Germany.It is a UNESCO World Heritage Site. [2]The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved.

  6. Gary Simmons (artist) - Wikipedia

    en.wikipedia.org/wiki/Gary_Simmons_(artist)

    In the center of the chairs, a noose hangs from the ceiling. In Klan Gate (1992), two brick pillars surround a large cast iron gate. [4] Atop each pillar stands a stone carved Klan member. In a later work, Big Still (2001), Simmons addresses the state of the poor whites in Appalachia and the South. He recreated a prohibition era moonshine rig ...

  7. Samuel Yellin - Wikipedia

    en.wikipedia.org/wiki/Samuel_Yellin

    In 1909, Yellin opened his own metalsmith shop. [2] In 1915, the firm of Mellor, Meigs & Howe, for whom he designed and created many commissions, designed a new studio for Samuel Yellin Metalworkers at 5520 Arch Street in Philadelphia.