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The black and white palette reflects the war photographs that inspired the painting. Picasso created the image between 1944 and 1945, using oil and charcoal on canvas. The painting measures 199.8 cm x 250.1 cm. [ 8 ]
Robert Rauschenberg: "A canvas is never empty". [20] In the early 1950s, became known for white, then black, and eventually red monochrome canvases. In the White Paintings [21] (1951) series, Rauschenberg applied everyday house paint with paint rollers to achieve smooth "blank" surfaces. White panels were exhibited alone or in modular groupings.
Lunch atop a Skyscraper, 1932. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City.
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works.
The Stations of the Cross series of black and white paintings (1958–1966), begun shortly after Newman had recovered from a heart attack, usually is regarded as the peak of his achievement. The series is subtitled Lema sabachthani - "Why have you forsaken me" - the last words spoken by Jesus on the cross, according to the New Testament. Newman ...
[11] His use of black and white is very similar to paintings made by de Kooning and Pollock during the 1940s. [10] There also seem to be references to Japanese calligraphy in Kline's black and white paintings, through his exchange with the Japanese avant-garde calligraphy group Bokujinkai and its leader Morita Shiryu , although Kline later ...