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17th-century arquebus at the Château de Foix museum, France. An arquebus (/ ˈ ɑːr k (w) ə b ə s / AR-k(w)ə-bəs) is a form of long gun that appeared in Europe and the Ottoman Empire during the 15th century. An infantryman armed with an arquebus is called an arquebusier.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
In the 14th century, the main centers of musical activity were northern France, Avignon, and Italy, as represented by Guillaume de Machaut and the ars nova, the ars subtilior, and Landini respectively; Avignon had a brief but important cultural flowering because it was the location of the Papacy during the Western Schism.
The 15th and 16th century masses had two kinds of sources that were used: monophonic (a single melody line) and polyphonic (multiple, independent melodic lines), with two main forms of elaboration, based on cantus firmus practice or, beginning some time around 1500, the new style of "pervasive imitation", in which composers would write music in ...
Johannes Ockeghem (c. 1410 – 6 February 1497 [1]) was a Franco-Flemish composer and singer of early Renaissance music.Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, [2] and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. [3]
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics of the listener may determine which emotions are felt.
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – French for false drone – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, [4] is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), an influential Italian composer, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century.