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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... The Self Portrait is a 1658 self portrait by Rembrandt, ...
Print/export Download as PDF ... Printable version; In other projects Wikimedia Commons ... Self-Portrait is a 1623-1630 self-portrait painting by Peter Paul Rubens ...
Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
Samuel Joseph Brown Jr. (1907–1994) was a watercolorist, printmaker, and educator. He was the first African-American artist hired to produce work for the Public Works of Art Project, a precursor to the Work Progress Administration's Federal Art Project.
Author: National Gallery of Art: Image title: Judith Leyster (Dutch, 1609 - 1660), Self-Portrait, c. 1630, oil on canvas, Gift of Mr. and Mrs. Robert Woods Bliss 1949.6.1