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Donald McKinley Glover Jr. (/ ˈ ɡ l ʌ v ər /; born September 25, 1983), also known by his former musical name Childish Gambino (/ ɡ æ m ˈ b iː n oʊ /), is an American actor, comedian, musician, and filmmaker.
A term referring to a fictional character (by whatever name) whose job it is to explain the plot or parts of a plot to other characters and the audience. mood lighting The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer.
Gambino and Luciano then allegedly provided a part of the $100,000 paid to a Puerto Rican drug dealer to falsely implicate Genovese in a drug deal. [38] In April 1959, Genovese was sentenced to 15 years in federal prison, where he died in 1969. [39] Gambino quickly built the family into the most powerful crime family in the United States.
A collection of terminology used in the creation of video and movie productions. The main articles for this category are Film § Terminology and Glossary of video terms . Contents
Cosa Nostra (Our thing): mob term for the family or Mafia crank: speed; in particular, crystal meth. crew: the group of soldiers under the capo's command. cugine: a young soldier striving to be made. don: the head of the family; see boss. earner: a member who brings in much money for the family. eat alone: to keep for oneself; to be greedy.
For example, Venice was led by a doge ("duke") and a consigliere ducale (advisor to the doge). [2] An underboss will normally move up to boss when the position becomes vacant, so his position is equivalent to that of an heir to the throne. [citation needed] Consigliere, meanwhile, is analogous to a chief minister or chancellor.
Gambino is an Italian surname. Notable persons with that surname include: Surname. Alberto Gambino [Wikidata] (1899–1987), Argentine conductor;
The definition of what constitutes a crime film is not straightforward. [4] Criminologist Nicole Hahn Rafter in her book Shots in the Mirror: Crime Films and Society (2006) found that film scholars had a traditional reluctance to examine the topic of crime films in their entirety due to complex nature of the topic. [5]