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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
The pāʻōʻā (often written as paoa, as the Tahitian is not punctilious about writing accents), is a modern dance from Tahiti where the dancers sit on their knees in a circle on the ground, sing and tap with their hands on their thighs on the rhythm of the music, which is a quite repetitive scanning refrain.
The stories depicted by the dance are taken from daily traditional occupations or ancient myths. Unlike the other Tahitian dances, this one is more often performed with the dancers dressed in pāreu and maro. It can also (especially the ʻaparima vāvā) be performed seated, much like the Tongan māʻuluʻulu.
Traditional Polynesian music is largely an inseparable part of a broader performance art form, incorporating dance and recital of oral traditions; most literature considers Polynesian music and dance together. [2] Polynesian music expanded with colonial European contact and incorporated instruments and styles introduced through a process of ...
Fijian dance (4 P) H. Haka (6 P) S. Samoan dances (7 P) T. Dances of Tahiti (7 P) Dances of Tonga (9 P) Pages in category "Dances of Polynesia"
The Taualuga is a traditional Samoan dance, considered the apex of Samoan performance art forms and the centerpiece of the Culture of Samoa. This dance form has been adopted and adapted throughout western Polynesia, most notably in Samoa, The Kingdom of Tonga, Uvea, Futuna, and Tokelau. [1] The renowned Tongan version is called the tau'olunga.
One unique quality of Polynesian music is the use of the sustained 6th chord in vocal music, though typically the 6th chord is not used in religious music. Traditional instruments include a conch-shell called the pu and a nose flute called the vivo, as well as numerous kinds of drums made from hollowed-out tree trunks and dog or shark skin.
Limalama is a Polynesian art of self-defense, created and founded by Tu’umamao "Tino" Tuiolosega (1931–2011). Tuiolosega created the word "Limalama" as a portmanteau derived from the Samoan language words lima (hand) and malamalama (understanding). Tuiolosega defined Limalama to mean "knowledge and understanding", and translated it as "hand ...