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[2] 21 sonatas — numbering of Schubert's piano sonatas as most encountered on recordings etc., for instance on the Schubert page at Classical Archives. Also IMSLP follows this numbering for their page names of Schubert's piano sonatas. Wiener Urtext Edition follows the same numbering, except that Op. 122 is No. 8, the ensuing D. 571, 575, 613 ...
The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. [1] The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. [ 2 ]
The following two editions of Schubert's piano sonatas are incomplete and abstain from providing a numbering system: Edition Peters – Sonaten für Klavier zu 2 Handen (Leipzig: C.F. Peters, 1970-1974): an edition in two volumes that includes eleven complete sonatas (D 537, D 568 2nd version, D 575, D 664, D 784, D 845, D 850, D 894, D 958, D ...
Recordings grouping all six of Schubert's compositions for violin and piano: 1955: Schubert: Complete Works for Violin & Piano. Johanna Martzy (violin) and Jean Antonietti (piano). Testament SBT2 1468 (2 CD box). 1964: Schubert: Complete Music for Violin and Piano. György Pauk (violin) and Peter Frankl (piano). Brilliant Classics 95115 (2 CD box).
Piano Sonata in A-flat major, D 557 (Schubert) Piano Sonata in B major, D 575 (Schubert) Piano Sonata in B-flat major, D 960 (Schubert) Piano Sonata in C major, D 279 (Schubert) Piano Sonata in C major, D 613 (Schubert) Piano Sonata in C major, D 840 (Schubert) Piano Sonata in C minor, D 958 (Schubert) Piano Sonata in C-sharp minor, D 655 ...
The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music.
Schubert's last sonatas mark a distinct change of compositional style from his earlier piano sonatas, with several important differences. The typical movement length has increased, due to the use of long, lyrical, fully rounded-off, ternary-form themes, the insertion of development-like passages within expositions, and the lengthening of the ...
Yefim Bronfman (soloist), Alan Gilbert (conductor) – Lindberg: Piano Concerto No. 2; Leila Josefowicz (soloist), Esa-Pekka Salonen (conductor) – Salonen: Violin Concerto; Nyx; Maria João Pires – Schubert: Piano Sonatas D. 845 & D. 960