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GodWeenSatan: The Oneness is the debut studio album by American rock band Ween, released on November 16, 1990, by Twin/Tone Records. [4] The album introduces several key themes for the group, including their eclecticism, gonzo sense of humor, and their demon god/mascot, the Boognish.
GodWeenSatan Live is Ween's seventh live album. It was released on November 18, 2016 on Chocodog Records. This album is a 2-disc chronicling of a performance from September 14, 2001 in which Ween played their first album, "GodWeenSatan: The Oneness", in its entirety, for its 11th (advertised as 25th) anniversary re-release.
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All Request Live is the fourth live album by the American rock band Ween, and the third to be released on their home record label Chocodog Records. The performance was webcast on July 22, 2003 [2] and released on November 22, 2003. A Pitchfork Media review calls it "unquestionably the brownest live Ween of them all." [3]
The song lyrics refer to being under the influence of psychedelic drugs. It explains that such drugs distort an unattractive girl into appearing to have mutilated lips. [ 1 ] The song's inclusion of acoustic guitar, bongos , synths , and keyboards were said to give the song a "psych-folk trippiness". [ 2 ]
The DVD features a wide variety of Ween songs, covering every Ween album except 12 Golden Country Greats and even features a cover of the Led Zeppelin song, "All My Love". Also, the DVD contains alternate camera angles for three of the performances, and a bonus music video for the song "Transdermal Celebration".
The recording of Quebec saw the band deal with many struggles in their professional and personal lives.Gene Ween was going through a divorce from his first wife, [5] Dean Ween was dealing with drug issues and was "partying way too hard", [6] Claude Coleman was recovering from a life-threatening car crash that left him unable to perform on the record [7] (with drumming instead being primarily ...
The album takes its name from the band's apartment where the album was recorded, which the band nicknamed "The Pod". [9] The album's cover art is a takeoff of the 1975 The Best of Leonard Cohen cover; Ween simply positioned a photo of part-time bassist Mean Ween's head (wearing a "Scotchgard powered bong") over Cohen's cover art, and altered the title text and other graphics. [3]