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This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
Saraswati begins circumambulating him in reverence. Not wishing to keep turning his face to see her, Brahma produced faces on the sides and back of his head. Sarasvati then leapt into the sky and a fifth face emerged from Brahma, looking upwards.
Swami Brahmananda Saraswati (IAST: Svāmī Brahmānanda Sarasvatī) (21 December 1871 [1] – 20 May 1953), also known as Guru Dev (meaning "divine teacher"), was the Shankaracharya of the Jyotir Math monastery in India.
Swaroopanand Saraswati was born Pothiram Upadhyay on 2 September 1924 at Dighori village of Seoni district, Madhya Pradesh in a Kanyakubja Brahmin family. [3] A direct disciple of Shankaracharya Brahmananda Saraswati of Jyotir Math (1941–1953) and of Shankaracharya (disputed) Krishnabodha Ashrama of Jyotir Math (1953–1973), in 1950 his Guru Brahmananda made him a Dandi Sannyasi.
Pranavananda, also known as Yugacharya Srimat Swami Pranavananda Ji Maharaj (29 January 1896 – 8 February 1941) Pranavanda Saraswati (28 August 1908 – 28 August 1982) Prem Rawat, also known as Maharaji, Guru Maharaj Ji, and Balyogeshwar (born 10 December 1957) Premanand Ji Maharaj, Radhavallabh Sampradaya, Vrindavan (born 30 March 1969)
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Mahasarasvati is described to be the slayer of Shumba in the Devi Bhagavata Purana, suggesting that she has little to do with Saraswati. [7] Mahalakshmi is the prosperity aspect of Devi. She has two forms, Vishnu-priya Lakshmi and Rajyalakshmi. The former is the embodiment of chastity and virtuousness. The latter goes about courting kings.
The Saraswati veena contains 4 strings. It is said Govinda Dikshita father of Venkatamukhin, who was a musician and a minister in the court of Raghunatha Nayaka designed it. Prior to his time, the number of frets on the veena was less and also movable." [3] The Saraswati veena developed from Kinnari veena.