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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
(This version was available for only 1 week between March 6 and March 12, 2000, each CD was a limited, numbered edition and at the end of the week of release all remaining stock was deleted. As well as the music tracks it also included a multimedia 'enhanced' segment containing exclusive documentary footage and photos) "Generator"
Augustus Mutt is a tall, dimwitted racetrack character—a fanatic horse-race gambler who is motivated by greed. Mutt has a wife, known only as Mrs. Mutt (Mutt always addressed her as "M'love"; Al Smith revealed in a Boston Globe newspaper column that her first name was Ima – and conceded that he did not use it often because it was not a complimentary name).
The song peaked at #10 in the New Zealand singles chart, and charted for nine weeks. The song was from the group's 1993 album Salty, with three other album tracks used on the single. [1] "Anchor Me" is a love song, written by the Mutton Birds' lead singer Don McGlashan about his wife. [2]
This category is for songs from Spain, in any language. Note: This category is for songs originating from Spain. For songs that are recorded in Spanish, please use the category, Songs in Spanish .
When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically.
Mutton Birds member Don McGlashan wrote the song after seeing a man from a bus window who, per McGlashan, "looked like he had been dealt some difficult hands in life". [2] The song is an imagined backstory for this man and sees him occupying a halfway house on Dominion Road, with the song having been described as a "story of one man's suffering ...
The album consisted of 13 songs, although 15 playbacks had been produced. First pressings of the album contain the complete intended listing of all 15 tracks on the cover, though actually the songs Amor and Aquellos ojos verdes were not released in the U. S. and at that time were only available on singles and EPs in Spain and South America.