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Caryatid Porch of the Erechtheion, Athens, 421–407 BCE. The Panathenaea (Ancient Greek: Παναθήναια, "all-Athenian festival") was the most important festival for Athens and one of the grandest in the entire ancient Greek world. Except for slaves, all inhabitants of the polis could take part in the festival.
Worship was the means by which the Greeks honoured their gods, as they believed deities had the power to bring to their lives various positive outcomes which were beyond their own control. [19] Greek cult, or religious practice, consisted of activities such sacrifices, prayers, libations, festivals, and the building of temples. [20]
Red-figure kylix of a possible scene from the Oschophoria, ca. 510 BCE, currently held in the Archaeological Museum of Vulci, Vulci.. The Oschophoria (Greek: ὠσχοφόρια) were a set of ancient Greek festival rites held in Athens during the month Pyanepsion (autumn) in honor of Dionysus, the god of the vine.
The Xenokrateia Relief, from the late fifth century BC, commemorates the founding of a sanctuary to Cephissus, National Archaeological Museum of Athens.. In Greek mythology Cephissus also spelled Kephissos (/ ˈ k ɛ f ɪ ˌ s ə s / or / ˌ k ɪ f ɪ ˈ s oʊ s /; Ancient Greek: Κηφισός, romanized: Kephisos) is a river god of ancient Greece, associated with the river Cephissus in ...
(Greek mythology) Thyrsus, a staff tipped with a pine cone and entwined with ivy leaves, carried by Dionysus and his followers. (Greek mythology) Caduceus (also Kerykeion), the staff carried by Hermes or Mercury. It is a short staff entwined by two serpents, sometimes surmounted by wings, and symbolic of commerce. (Greek mythology)
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.