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The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
A logo applied to a canvas backpack, using fabric transfer paper in a desktop ink jet printer. Iron-on transfers are images that can be imprinted on fabric. They are frequently used to print onto T-shirts. On one side is paper, and on the other is the image that will be transferred in reverse.
The programs have a machine stops during stitching to allow the user to switch threads. First, the fabric that will be the background and the appliqué fabric are affixed into the machine's embroidery hoop. The program is run and the machine makes a loose basting stitch over both layers of fabric. Next, the machine halts for a thread change, or ...
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Illustration of a stool cover with a slip of borage worked in tent stitch on canvas and then applied to a velvet ground, Hardwick Hall, early 17th century. [1]In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem.
The primary consideration in fabric selection is the end use. The fabric needs vary greatly depending on the application. Similar types of fabric may not be suitable for all applications. [125] Fabric weight is an important criteria while producing different fabrics. A carpet requires a fabric with 1300 GSM, but a robe may be made with 160 GSM.