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As the title suggests, Covers is a compilation of cover songs—many of which were previously released on B-Sides & Rarities (2005) and the digital version of Diamond Eyes (2010). [1] Deftones record cover songs after each album recording session, [ 2 ] and the songs on Covers span their entire career up to that point.
Around the Fur is the second studio album by the American alternative metal band Deftones, released on October 28, 1997, by Maverick Records.The songs "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)" were released as singles with accompanying music videos.
The eponymous Deftones was released in 2003, peaking at number two in the US, [2] and garnering widespread international success. B-Sides & Rarities saw a release in 2005, bringing together unreleased and obscure material accrued since 1995. 2006's Saturday Night Wrist , completed after a protracted and tumultuous recording process, reached ...
At the same time, the band revealed the album itself, the album cover, the track list, and release date. The title track serves as the first single, and was released on August 21. [ 119 ] [ 120 ] On September 17, 2020, the band released the second single from the album, "Genesis". [ 121 ]
The song was covered as a collaborative effort between members of the band Far and Chino Moreno of Deftones. The song was released in 1997 on Far's EP Soon. It was re-released on the Deftones' 2005 release B-Sides & Rarities and their 2011 cover compilation album, Covers.
Koi No Yokan is the seventh studio album by the American alternative metal band Deftones, released on November 12, 2012, by Reprise Records. [3] [4] Its title is a phrase from the Japanese language "恋の予感", translating to "premonition of love".
"B-Sides and Rarities is an overall resounding effort by perhaps the smartest members of the now moribund Nü-Metal genre", said Ayo Jegede of Stylus Magazine.He went on to say, "Each of these B-sides and alternates replicates a period in their career, so while the songs themselves may be new, they perfectly encapsulate each album of the band’s catalogue as though they were overarching epochs".
Classic Rock magazine added a different assessment, calling the album "dream pop with a metallic edge". [19] It is the first Deftones album since their eponymous 2003 album to be produced by Terry Date, although the band had worked with him during the sessions of the unreleased album Eros in 2008. [20]