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Stretcher bars are also used in picture framing when framers are framing things like sport shirts etc. Stretcher bars are used extensively in theatrical productions for framing material backdrops. When a photographer takes a picture then digitally transfers this onto a canvas via inkjet printing, he then stretches this over a stretcher frame.
The back of a stretched canvas, with keys inserted at the corner, and additional keys off to the side. A tightening key is a small wedge or shim used in the construction of a canvas stretcher frame with expandable joints. The key is inserted into the slotted inside the stretcher bars at the mitered corners of the frame to prevent or adjust sagging.
Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation.
A stretcher frame constructed from strainer bars should not be confused with one constructed from stretcher bars. Strainer bars are fixed to one another with wood glue, nails or staples, often in conjunction. Strainer bar frames are often reinforced with other fixed elements such as corner and cross braces.
Canvas on stretcher bar. Canvas has become the most common support medium for oil painting, replacing wooden panels. It was used from the 14th century in Italy, but only rarely. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, Berlin.
The Canadian Conservation Institute lists ten agents of deterioration that play a role in damaging an object or work of art. [4] While all of these agents play a role in damaging a painting over its lifetime, five primary agents are involved in the degradation of an artwork's canvas and its pigment layers.
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