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One early author, Hassan, was known as Shair-e Darbaar-e Risalat. Before converting to Islam he was a poet, and after converting he started writing Na'ats in honor of Muhammad. [4] His poetry defended Muhammad in response to rival poets who attacked him and his religion. [5] [6]
Muzaffar Warsi was born as Muhammad Muzaffar ud Din Siddiqui into the family of Alhaaj Muhammad Sharf ud Din Ahmad, known as Sufi Warsi (Urdu: صوفی وارثی).His was a family of landlords of Meerut (now in Uttar Pradesh, India). [1]
Siddiq Ismail belongs to the Memon community. His parents migrated from India to Pakistan in 1947 after the Partition of India.He started his career at the age of 6 at a local mosque in Old Town, Karachi.
Tala al-Badru Alayna (Arabic: طلع البدر علينا, romanized: Ṭalaʿ al-Badru ʿAlaynā) is a traditional Islamic nasheed that the Ansar Muslims of Medina sang for the Islamic prophet Muhammad upon his arrival at Medina.
A nasheed (Arabic: نَشِيد, romanized: nashīd, lit. 'chant', pl. أَنَاشِيد, anāshīd) is a work of vocal music, partially coincident with hymns, that is either sung a cappella or with instruments, according to a particular style or tradition within Sunni Islam.
Bilal ibn Rabah was born in Mecca in the Hejaz in the year 580. [5] There are differing accounts to the racial identity of his father according to historians. One account states that his father was an Abyssinian prisoner of war who had been given the name of Rabah, in Arabic meaning profitable, he had been handed over as a slave to the Quraishi Arab clan of Banu Jumah, this account is highly ...
Ghulam Nabi was a Pakistani militant involved with the Taliban and had fought against the pro-American Northern Alliance in Afghanistan during the US-led war in Afghanistan. A video obtained by the Associated Press on 20 April 2007 shows a young boy, looking to be around 12 years of age, beheading a man identified as Nabi.
For example, the "Allah Hoo" that appears on the Sabri Brothers 1978 album Qawwali: Sufi Music from Pakistan is totally different from the song that became one of Nusrat Fateh Ali Khan's signature qawwalis, and this in turn is totally different from Qawwal Bahauddin's version on the 1991 Shalimar compilation video titled "Tajdar-e-Haram, vol. 2 ...