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Pier Paolo Pasolini (1922–1975) was an Italian writer and film director. Pages in category "Films directed by Pier Paolo Pasolini" The following 23 pages are in this category, out of 23 total.
Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, film director, writer, actor and playwright.He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.
The film came after a string of movies of the late 1960s in which Pasolini had a major ideological bent. Though this film is much more light-hearted in nature Pasolini nonetheless considered it among his most "ideological". [2] The film can be seen as an attack on the stiff sexual mores of both Chaucer and Pasolini's times. [citation needed]
Universal Pictures. Director: Pierre Coffin, Kyle Balda Cast: Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney Rating: PG Run time: 91 minutes Reviews: Rotten Tomatoes 56%; IMDb 6.4/10 ...
Pasolini chose to cast Totò as the protagonist as he felt his comedic style represented the two aspects of humanity: extravagance and humanity. Pasolini chose to use both non-professional actors from off the streets and Italian cinematic icons such as Totò, because he felt the brutality of the amateur and the lightness of the professional ...
The film is composed of five episodes. In the first a German nanny behaves too rude and harsh with children, proposing to read comic social satire of Germany. The children are upset. In the second Toto is an old bourgeois who joins with a nice young girl. The girl follows the social models of the time, namely the "hippies" guys.
Ro.Go.Pa.G. (also known as "RoGoPaG") is a 1963 film consisting of four segments, each written and directed by a different director. These include the French director Jean-Luc Godard (segment "Il nuovo mondo") and the Italian directors Ugo Gregoretti (segment "Il pollo ruspante"), Pier Paolo Pasolini (segment "La ricotta") and Roberto Rossellini (segment "Illibatezza").
In the summer of 1975, the writer and film director Pier Paolo Pasolini is completing his latest film Salò, or the 120 Days of Sodom, and has started writing a political essay, Petrolio (Oil). [4] Meanwhile, he begins a dalliance with the young Giuseppe 'Pino' Pelosi, a rent boy with a criminal record.