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"Ebony and Ivory" is a song that was released in 1982 as a single by Paul McCartney featuring Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's third solo album, Tug of War (1982). Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony.
Paul McCartney and Stevie Wonder: Paul McCartney Stevie Wonder: Tug of War: 1982 [64] "Who Cares" Paul McCartney: Paul McCartney Egypt Station: 2018 [60] "Whole Life" Paul McCartney and Dave Stewart: Paul McCartney Dave Stewart: One Year On: 46664 (EP) 2005 [150] "Why So Blue" Paul McCartney: Paul McCartney Memory Almost Full (2-CD edition ...
American musician Stevie Wonder has released 23 studio albums, three soundtrack albums, four live albums, 11 compilations, one box set, and 91 singles. His first album, The Jazz Soul of Little Stevie, was released in 1962 when he was 12 years old, and his most recent, A Time to Love, was released in 2005.
Written by Stevie Wonder, Morris Broadnax, and Clarence Paul. Stevie Wonder recorded this song in 1967, but it remained unreleased for a decade, so no less a performer than the Queen of Soul ...
A Toot and a Snore in '74 is a bootleg album consisting of the only known recording session in which John Lennon and Paul McCartney played together after the break-up of the Beatles in 1970. First mentioned by Lennon in a 1975 interview, [ 1 ] more details were brought to light in May Pang 's 1983 book, Loving John , and it gained wider ...
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
Although McCartney did not formally record the song until after the band's break-up, he previewed "Another Day" during the Beatles' Let It Be sessions in January 1969. [3] [4] [5] The song's lyric adopts an observational style reminiscent of "Eleanor Rigby"; Denny Seiwell, the drummer on the Ram sessions, called it " 'Eleanor Rigby' in New York City".
Furthermore, the various works of Mark Lewisohn (such as The Complete Beatles Chronicles and The Beatles Day by Day) fail to mention McCartney's participation on this song. In fact, according to the album's liner notes, the song was recorded in Los Angeles in November 1968, a month that, according to Lewisohn, McCartney spent mostly at his farm ...