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Deborah Richter, also known as Debi Richter, is an American actress. She appeared in the films Cyborg (1989), [1] Square Dance (1987), [2] Winners Take All (1987) [3] and Hot Moves (1985). [4] She also appeared on TV in Hill Street Blues (alongside her husband Charles Haid) and All is Forgiven. [5]
Cyborg [a] is a 1989 American martial-arts cyberpunk film directed by Albert Pyun. Jean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (Vincent Klyn) along the East coast of the United States in a post-apocalyptic future.
Deborah Richter (m. 1985; ... Charles Maurice Haid III (born June 2, 1943) is an American actor and television director, with notable work in both movies and ...
Here, along with his female assistants Candy and Sunshine (Debi Richter and Kirsten Baker), Leon monitors the progress of the game. Already unpopular with his landlady, Mrs. Grimhaus (Irene Tedrow), for the amount of noise he makes, Leon faces eviction if any of the other tenants complain.
Albert Pyun (director); Kitty Chalmers, Daniel Hubbard-Smith (screenplay); Jean-Claude Van Damme, Deborah Richter, Vincent Klyn, Dayle Haddon, Alex Daniels, Ralf Möller, Blaise Loong, Haley Peterson, Terrie Batson, Jackson 'Rock' Pinckney Dead Calm: Warner Bros. Pictures
Deborah Richter; Bradley Lieberman; Production. Vint felt the movie should have been directed in the style of The Last Picture Show. "The events in the script ...
John Joseph Corbett Jr. (born May 9, 1961) [1] is an American actor and country music singer. On television, he is best known for his roles as Chris Stevens on Northern Exposure (1990–1995), Aidan Shaw on Sex and the City (2000–2003), Max Gregson on United States of Tara (2009–2011), and Seth Holt on Parenthood (2011–2015).
Adam West was enthusiastic for the part of protagonist Ty Lookwell. The pilot was filmed as a single-camera comedy, which was uncommon for the time it was being developed. . Writer Robert Smigel later expressed doubt that the project could sustain itself as a full-fledged television series, questioning if "viewers would really want to view that every we