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The totem poles carved normally tell a story, and Tlingit artists carve subjects like animals into the totem poles. These pictures are aligned in a column down the pole, in order from top to bottom. The poles are put on outside corners of "traditional dwellings", used to structurally support their interiors, or placed on shores.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington. The original totem pole was carved in 1790 and raised in the Tlingit village on Tongass Island, Alaska to honor the Tlingit woman Chief-of ...
Tlingit thought and belief, although never formally codified, was historically a fairly well organized philosophical and religious system whose basic axioms shaped the way Tlingit people viewed and interacted with the world around them. Tlingits were traditionally animists, and hunters ritually purified themselves before hunting animals.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The art of the Haida, Tlingit, Heiltsuk, Tsimshian and other smaller tribes living in the coastal areas of Washington state, Oregon, and British Columbia, is characterized by an extremely complex stylistic vocabulary expressed mainly in the medium of woodcarving. Famous examples include totem poles, transformation masks, and canoes. In addition ...
Yéil X̱ʼéen (Raven Screen) (detail). Attributed to Ḵaajisdu.áx̱ch, Tlingit, Kiks.ádi clan, active late 18th – early 19th century. Formline art is a feature in the Indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms.
The most prominent feature of the site is a 1940 reconstruction of a Tlingit community house. This structure incorporates six original house posts, carved poles similar to totem poles. The house posts, four of which are from the community house of Chief Shakes, a line of like-named Tlingit clan leaders, are reported to be among the oldest known ...