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The letters BV (Busoni-Verzeichnis [Busoni Catalog]) followed by a number are used for identification of Busoni's original compositions. [ 4 ] [ 5 ] [ 6 ] The BV numbers are based on the first comprehensive catalog of Busoni's unpublished as well as published works prepared by Jürgen Kindermann.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The holy names of biblical characters were translated letter by letter into a linear sequence of musical notes, so that each letter could be sung by the congregation in unison. Ezra Sandzer-Bell has written and published two books on this subject, [ 14 ] describing how Paul Foster Case's system of musical cryptography could be applied to ...
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
As first four notes of the third and last subject of the final unfinished fugue of The Art of Fugue: [8] B–A–C–H opening the third and last subject of the unfinished fugue of The Art of Fugue Hans Heinrich Eggebrecht goes as far as to reconstruct Bach's putative intentions as an expression of Lutheran thought, imagining Bach to be saying ...
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way ...
Introduction, Theme and Variations for Clarinet and Orchestra (1819) Andante e tema con variazioni per arpa e violino (1820) Passo doppio 1822 (variations on di tanti palpiti from tancredi) Valse (1823) Serenata (1823) Duetto per Violoncello e Contrabasso (1824) Rendez-vous de chasse (1828) Fantaisie (1829) Trois marches militaires (1837)
Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H 8 Totentanz: pf orch 1847–53 Orchestral, piano