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"Surfin' U.S.A." is a song by the American rock band the Beach Boys, credited to Chuck Berry and Brian Wilson. It is a rewritten version of Berry's "Sweet Little Sixteen" set to new lyrics written by Wilson and an uncredited Mike Love. The song was released as a single on March 4, 1963, backed with "Shut Down".
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise.It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967.
"Surfboard" is an instrumental song by Antônio Carlos Jobim. The song was composed by Jobim on Ipanema beach after buying a surfboard for his son. Initially released on his US album The Wonderful World of Antonio Carlos Jobim in 1965, [1] [2] the song was re-recorded by Jobim for the albums A Certain Mr. Jobim (1967) with Claus Ogerman and 1995's Antonio Brasileiro.
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned. Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
"Surfin '" is a song by American rock band the Beach Boys that was written by Brian Wilson and Mike Love. It was released as the debut record by the Beach Boys (with "Luau" on the B-side) in November 1961 on Candix Records and was included on the October 1962 album Surfin' Safari.
Songfacts is a music-oriented website that has articles about songs, detailing the meaning behind the lyrics, how and when they were recorded, and any other info that can be found. [ 2 ] [ 3 ] [ 4 ]
By now, over 27 million people (and counting) have tuned in to the pop star’s Christmas Day NFL Halftime show (also known as the Beyoncé Bowl), where she performed songs from her acclaimed ...
Surfin' Safari is the debut studio album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records.The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. [3]