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The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
These qualities include laws, morals, beliefs, knowledge, art, customs, and any other attributes belonging to a member of that society. [3] Culture is the way of life of a group of people. Africa has numerous ethnic nationalities all with varying qualities such as language, dishes, greetings, dressing, dances and music.
One example is Marshall W. Mount, [7] who proposed four categories: first, "survivals of traditional styles", which show continuities in traditional working material and methods such as bronze casting or wood carving; secondly, art inspired by Christian missions; thirdly, souvenir art in the sense of tourist or "airport art", such as by the likes of artworks by South African visual artist ...
African art reflects the diversity of African cultures. The oldest existing art from Africa are 6,000-year-old carvings found in Niger , while the Great Pyramid of Giza in Egypt was the world's tallest architectural accomplishment for 4,000 years until the creation of the Eiffel Tower .
Pages in category "African art" The following 58 pages are in this category, out of 58 total. This list may not reflect recent changes. A. African aesthetic;
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Contemporary artists in South Africa have adopted new media technologies to produce varied and creative bodies of work, as seen in the work of Dineo Seshee Bopape and CUSS Group. [3] Their art gives insight into the pressing issues of South African society. On a global scale, contemporary South African art is relevant and sought-after.